皇冠体育app

皇冠体育app pieces that the Culture Minister has placed temporary export bars on include four 14th century paintings by Niccolo di Pietro Gerini, a rare 17th century Baroque games board and a photo album compiled by British photographer Julia Margaret Cameron.

Ed Vaizey took the export bar decisions following recommendations by the , administered by Arts Council England.

Passions of Christ paintings

皇冠体育app paintings by Niccolo di Pietro Gerini are the only known remaining works of their kind in existence. Painted on linen, each of the large pictures depicts an episode from Christ鈥檚 Passion. 皇冠体育app 4 paintings are:

• Peter Protesting at Christ Washing the Feet of the Disciples
• 皇冠体育app Betrayal of Christ in the Garden of Gethsemane illustrates the episode of Jesus鈥� arrest, told by all four evangelists
• 皇冠体育app Mocking of Christ

皇冠体育app export bar will provide a last chance to raise the 拢1,105,250 needed to keep them in the UK.

Read the press notice for further details about the paintings and the export bar鈥檚 terms.

Signor 1857 album by Julia Margaret Cameron

Julia Margaret Cameron (1815-1879) was one of the greatest photographers that Britain has ever produced. Containing 35 works by several different photographers, the Signor album is the earliest of 8 recorded photographic albums assembled by Cameron before she took up photography herself. 皇冠体育app export bar will provide a last chance to raise the recommended price of 拢121,250 to keep the album in the UK.

• Read the press notice for more information and details about the export bar.
• .

Baroque Games Board

Exquisitely crafted from amber (sometimes 鈥淏altic Gold鈥�), ebony, silver and wood, the quality of this rare hinged games board strongly suggests it鈥檚 by the artist Georg Schreiber, considered to be the first known and documented artist working in amber. 皇冠体育app export bar will provide a last chance to raise the 拢821,500 needed to keep it in the UK.

• Read the press notice for further details about the board and the export bar placed on it.
• .

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